About
Who you are trusting with this.
The moment before the click.
I have been photographing in Crete since 2013 — portraits, events, architecture, restaurants. Different subjects, one discipline: knowing where the light is, and waiting for the frame just before the obvious one.
What I care about is the specific thing that is true about you — the way you actually hold a glass, laugh, look away. My job is to build the light and the shape around that, and then direct you carefully enough that you never have to perform. I work slowly, I explain what I am doing, and I will tell you honestly when something is not working rather than shoot two hundred frames and hope.
And the question most women want to ask and do not: yes, the photographer is a man. That is precisely why everything here is written down instead of assumed — who is in the room, where your files are stored, what happens to a frame you dislike. Bring whoever you want. The make-up artist can stay for the entire session. Nothing gets negotiated on the day.
Stelios Vozikakis
What I hold to
Consent is written, not assumed
Usage rights are agreed in writing before the shutter is touched, and can be withdrawn afterwards.
No image is published by default
Every single frame you see online is there because a woman specifically said yes to that frame.
Files are stored encrypted
Your gallery is deleted from every device and backup on request, permanently.
Booking something this personal, abroad, takes trust.
So it is earned before you arrive: a real conversation, a written agreement, a clear plan for your images. Nothing about this day should be a surprise except how the photographs make you feel.
Tell me when you are on the island.
Send your dates and a couple of lines about what you have in mind. You will get a real reply — not a template — usually within 24 hours.